"LAW & ORDER:
SPECIAL VICTIMS UNIT"
"BLIND"
Written by
Guy Jackson
writtenbyguyjackson@gmail.com
LAW & ORDER:
SPECIAL VICTIMS UNIT
“BLIND”
TEASER
FADE IN
INT. SVU SQUADROOM - NIGHT
DETECTIVES STABLER and BENSON wait at their adjoining
desks. Shuffling endless amounts of paperwork in front of
them. Mouths drooling with hunger.
Stabler notices a CHINESE DELIVERY GUY. Two bags of food
in his grasp.
STABLER
About time.
BENSON
Finally.
The Delivery Guy fishes out a RECEIPT from one of the bags
in his hands.
CHINESE DELIVERY GUY
Eli...ot...Elliot...Stab...ler.
STABLER
Close enough.
Stabler holds a TWENTY out for the Delivery Guy. They
exchange the bags and money.
The Delivery Guy isn’t happy.
CHINESE DELIVERY GUY
That food cost $18.97! What, NYPD no
tip? You know how hard it is to get to
this part of city at this time of
night, 5.0? I no scared of you! Po po
no keep me down!
Stabler wants to give the Delivery Guy a tip of his fist.
But his partner’s gaze tells him to otherwise.
BENSON
Elliot...
1
CONTINUED
Stabler nods his head. Just wanting the guy to leave.
STABLER
Alright. Here.
Stabler gives the Delivery Guy an extra TEN.
STABLER (cont’d)
Now get out of here before I collar you
for robbery.
CHINESE DELIVERY GUY
(sarcastic)
You too kind, Mr. Police Officer.
The Delivery Guy leaves.
Stabler hands Benson her bag of food as he sits down.
Stabler hurries to scoop his food out of the bag. Almost
as if he hasn’t eaten for days.
BENSON
Remind me never to get on your bad side
with an empty stomach.
STABLER
You read me like an open book, Liv.
Stabler digs his fork into his food.
STABLER (cont’d)
I’ve waited all day for this...
Stabler brings the food to his mouth. Just before he can
bite down on it...
JANICE (O.S.)
Excuse me. I need to speak with a
police officer, please.
Stabler FREEZES with the food in front of his mouth. His
head drops with defeat.
Behind, JANICE MOSS, 50’s, upper class, stands in the
doorway, eyeing the two detectives.
Benson manages to get one bite in. She stands up.
Swallowing the food as fast as she can.
2
CONTINUED
CONTINUED
BENSON
Hi. I’m Detective Olivia Benson. This
is my partner Detective Stabler.
Please. Have a seat.
JANICE
Thank you.
Janice enters the squadroom. She takes a seat at the desk.
She seems flustered, but still refined.
Stabler shoves his food to the side.
BENSON
What can we do for you, Ms...?
JANICE
Moss. Janice Moss.
Stabler’s eye brow cocks.
STABLER
As in Senator Moss?
JANICE
Yes. Alan is my husband. But I’m not
here about him. I’m here to report a
vicious crime.
Benson pulls out a notepad and pen.
BENSON
What kind of crime?
Janice takes a deep breath.
JANICE
Rape.
BENSON
You were raped?
JANICE
Oh dear God, no. But my poor, innocent
son has been.
Janice pulls out a photo from her wallet. In the photo
there is ALAN MOSS, Janice, and her fraternal twins,
HARPER, the girl, and PARKER, the boy. Both no older than
16.
3
CONTINUED (2)
CONTINUED
JANICE (cont’d)
That’s my little angel right there.
Parker.
Benson writes down some notes.
STABLER
Do you know who raped your son, Mrs.
Moss?
Janice stares Stabler right in the eye.
JANICE
Yes. His teacher. Sylvia Daniels.
Stabler and Benson share a look. Uh oh.
CUT TO
INT. PATRICK ACADEMY LIBRARY - DAY
SYLVIA DANIELS, mid 20’s, sits at a table in the library
tutoring a STUDENT. Very beautiful, but frail.
Benson and Stabler enter the library. Eyes locked on to
Sylvia.
STABLER
Don’t these teachers ever learn?
BENSON
Let’s get her.
Stabler and Benson finally reach Sylvia’s table.
BENSON (cont’d)
Sylvia Daniels?
Sylvia looks up. A warm smile on her face.
SYLVIA
Yes?
Benson and Stabler show their BADGES.
STABLER
Detective Stabler and Benson. NYPD
Special Victims Unit. Could you stand
up please and turn around?
SYLVIA
Is something wrong?
4
CONTINUED (3)
CONTINUED
BENSON
Just please stand up, Miss Daniels.
Sylvia slowly rises from her chair. Fear rapidly starting
to set in.
Benson gently turns her around. Cuffs Sylvia’s hands
behind her back.
BENSON (cont’d)
Sylvia Daniels. You are under arrest
for rape. You have the right to remain
silent. If you refuse that right,
anything you say will be used against
you in a court of law. You have the
right to an attorney. If you can not
afford one, one will be provided for
you...
Benson and Stabler escort the handcuffed Sylvia out of the
library. Students look on in shock.
FADE OUT
END OF TEASER
5
CONTINUED
ACT ONE
FADE IN
INT. INTERROGATION ROOM - DAY
Sylvia sits at the table in the center of the room. Far
from the image of the hardened criminals who usually occupy
this seat.
Benson sits across the table from her. Stabler stands in a
corner.
SYLVIA
Why am I here?
BENSON
We were kind of hoping you’d help us
answer that.
SYLVIA
I-I don’t know. This is a mistake.
STABLER
We got your victim across the hall
telling us everything. So why don’t
you just make this easier for all of us
and just tell us what happened.
SYLVIA
Victim? I wouldn’t hurt anyone! You
have to believe me! This is a mistake!
INT. INTERVIEW ROOM - DAY
SERGEANT MUNCH and DETECTIVE FIN occupy the much less
threatening interview room of the station.
PARKER MOSS, 16, sits across from them. Flanked by his
mother Janice and father ALAN MOSS.
PARKER
What is this all about? Am I under
arrest or something?
MUNCH
Parker, you’re not in trouble. We’re
on your side.
FIN
Just tell us about your teacher.
Parker finally looks up.
6
CONTINUED
PARKER
There’s nothing to tell.
JANICE
Parker! Don’t lie to the police
officers.
PARKER
I’m not lying.
Janice turns to the two Detectives.
JANICE
Why haven’t you arrested that predator
yet?
ALAN
Yes, Detectives. Why not?
FIN
We need Parker’s testimony in order to
do so, Mrs. Moss.
MUNCH
Did Sylvia Daniels violate you in any
way, Parker?
Parker remains silent.
ALAN
Speak up, son.
Parker lets out a breath of frustration.
PARKER
No. Sylvia Daniels never violated me.
FIN
Your mother told us otherwise. You can
tell us.
Parker looks at his mother with a cold stare.
PARKER
She’s lying.
INT. INTERROGATION ROOM - DAY
Stabler now leans on the table. Directly in Sylvia’s line
of sight. Sylvia’s nerves are on edge.
7
CONTINUED
CONTINUED
STABLER
What exactly is your connection with
the Moss’ again, Miss Daniels?
SYLVIA
Parker and his sister Harper are
students at Patrick Academy where I am
currently employed. Due to their
parents’ careers in politics, they are
on the road a lot. Mr. and Mrs. Moss
hired me to privately tutor their
children in order to help them keep up
with their studies.
STABLER
And where do these sessions take place?
SYLVIA
It depends.
BENSON
Answer the question. It depends is not
a location.
Sylvia falters for a moment.
STABLER
Any day now.
SYLVIA
My apartment.
BENSON
So would it be safe to say, Miss
Daniels, that Parker Moss and yourself
would be alone during these private
sessions?
SYLVIA
Sometimes, yes. But his sister is
usually in attendance as well. I would
never take advantage of him or any of
my students! I’m just a teacher.
Nothing more.
The Interrogation Room’s door BURSTS open. DONNA EMMETT,
Sylvia’s attorney, storms in.
DONNA EMMETT
Not another word, Sylvia. This
conversation is over.
8
CONTINUED
CONTINUED
STABLER
Miss Emmett. Right on time.
DONNA EMMETT
Tell me Detective, is arresting
innocent people a hobby of yours?
STABLER
Everyone is innocent until proven
guilty.
DONNA EMMETT
Interrogating my client without her
attorney present. Bush league at best
if you ask me.
BENSON
We were just having a friendly chat,
Councilor.
DONNA EMMETT
Come on, Sylvia. Time to leave.
STABLER
Not so fast.
DONNA EMMETT
Detective? Last time I checked you
needed a person to commit a crime for
you to hold them.
STABLER
We have a statement coming from the
victim any second now.
DONNA EMMETT
Uh huh. Nice try. Stay away from my
client. Both of you.
Stabler and Benson share a smile and move to leave the
interrogation room.
INT. VIEWING ROOM - DAY
A.D.A. ALEX CABOT and CAPTAIN CRAGEN observe through the
one way mirror at Sylvia and Donna.
CRAGEN
So what do you think?
9
CONTINUED (2)
CONTINUED
CABOT
She’s right. Without a confession or
Parker’s testimony we can’t keep her.
Cut her loose.
Stabler and Benson exit the interrogation room. Joining
Cabot and Cragen.
STABLER
She’s not budging.
Fin and Munch exit the interview room.
BENSON
Any luck with Parker?
FIN
Parker won’t spill either. But
something doesn’t seem right.
MUNCH
A public figure like Moss wouldn’t just
make a false accusation against some
tutor unless she had good reason to.
FIN
Senator Moss is about to file a
restraining order against Sylvia
Daniels.
CRAGEN
That could help. What’s in bounds at
this stage, Cabot?
CABOT
Tail her. Keep your distance though.
Emmett is not one to take following her
client lightly. But if we can catch
Daniels baiting Parker out of his home
we can charge her with child
endangerment and violating a
restraining order. That would be more
than enough to send her to Rikers.
CRAGEN
I’ll have a patrol car stand outside
the Moss residence for the time being
in case Sylvia Daniels wants to arrange
another rendezvous with Parker.
Parker and his parents emerge from the interview room.
Donna and Sylvia exit from the interrogation room as well.
10
CONTINUED
CONTINUED
Janice’s eyes burn a hole through Sylvia.
JANICE
You’re letting her go?!
CRAGEN
Mrs. Moss, at this time we can’t hold
her any longer.
SYLVIA
Why are you doing this to me? I would
never hurt Parker!
Janice moves to SLAP Sylvia across the face. But Benson
holds her back just in the nick of time along with Alan.
CRAGEN
Mrs. Moss I suggest you leave before
you make us charge you with attempted
assault. The case is still open. If
any crime has been committed we will
find it.
JANICE
Stay the hell away from my son you
whore!
The word visibly hurts Sylvia’s feelings.
ALAN
Let’s go, darling.
Janice finally calms herself down. Alan wraps his arm
around her shoulder and leads her out of the squadroom.
Parker and Sylvia lock eyes.
ALAN (cont’d)
Parker. We’re leaving. Let’s go.
Parker looks away. Follows his parents out.
Sylvia leaves with Donna in the opposite direction.
MUNCH
Well, that was fun.
CRAGEN
We need to keep this investigation
quiet or the media will have a field
day with this case. Munch, I’m a
little short handed right now. Mind
tagging along on this one?
11
CONTINUED (2)
CONTINUED
MUNCH
Wow, like being carded at the liquor
store. You’re making me feel young
again, Captain.
CRAGEN
I’ll take that as a yes. While the
Moss’ and Sylvia Daniels play he said
she said, I want you and Fin back up at
the school to canvas the headmaster and
Sylvia’s colleagues. Benson and
Stabler I want you to talk to the
sister. She’s the only other one that
would know what really goes on at these
tutor sessions. Find out exactly what
did.
Benson and Stabler nod their heads. As do Munch and Fin.
They all disperse in their respective directions to
complete their next tasks.
CUT TO
INT. PATRICK ACADEMY HALLWAY - DAY
Munch and Fin walk with DR. PHIL WATKINS, the headmaster of
Patrick Academy through a corridor inside the school. It’s
a beautiful campus that definitely has some serious
financial backing.
Students move about the hallway. In between classes.
DR. WATKINS
Patrick Academy is the premier and most
prestigious academic institution in New
York and quite possibly the country.
None compare to our great faculty,
award winning facilities, or our
students’ educational growth.
FIN
Must cost an arm and a leg to get in
here.
MUNCH
Among other things. Tell me Dr.
Watkins, do you require an autograph
from the students’ famous parents as a
part of the application process?
Dr. Watkins smiles.
12
CONTINUED (3)
CONTINUED
DR. WATKINS
Very funny, Sergeant. It is true that
most of our student body is comprised
of children coming from high profile
families, but I believe that is because
these families know that an education
from the Patrick Academy will give
their children the best path in life.
Dr. Watkins points towards his office.
DR. WATKINS (cont’d)
Step in to my office, gentlemen.
Fin and Munch enter the office. Dr. Watkins follows.
INT. DR. WATKINS’ OFFICE - CONTINUOUS
Fin and Munch take a seat in front of Dr. Watkins’ desk.
DR. WATKINS
It’s a tragedy what Sylvia Daniels has
been accused of. I refuse to believe
it is true. But I’m sure you two will
prove that to everyone anyway.
FIN
Has Sylvia Daniels ever had any
complaints from other students or their
families?
Dr. Watkins takes a seat in his own chair.
DR. WATKINS
None. She is one of my best educators.
Some parents felt that her age would be
a distraction, especially for the male
students, but she is the consummate
professional, who takes her work very
seriously.
MUNCH
We were told that she was hired by the
Moss family to privately tutor their
two children.
DR. WATKINS
Yes. Parker and Harper. Such bright
young children.
MUNCH
Was Sylvia Daniels randomly selected or
did the Moss’ request her specifically?
13
CONTINUED
CONTINUED
DR. WATKINS
Actually now that you mention it, the
family did request Miss Daniels
personally. At first we found that
kind of odd since Sylvia was just hired
a few months before and we offered them
Talia Mallard, who is our most
decorated educator. But even after all
of that, the Moss’ told us that Parker
and Harper wanted Sylvia Daniels. So
we met their request.
Munch and Fin share a look together.
FIN
We’re going to have to ask you for
Sylvia Daniels’ file. It may prove
helpful in our investigation.
DR. WATKINS
Do you have a warrant?
MUNCH
We can get one.
DR. WATKINS
Then do so. Once you have your warrant
I will hand over anything you ask for.
But until then, good day gentleman.
Dr. Watkins leans back in his chair. A smug smile on his
face.
FIN
Do you really want it on public record
that we are investigating one of your
teachers for a sex crime, Dr. Watkins?
This piques Dr. Watkins interest.
MUNCH
All it takes is one determined
paparazzo to leak that out to the
public and your enrollment rate will
plummet.
FIN
Now I’m not good at math, but at
$40,000 a head in tuition, that’s mucho
banko out of your paycheck. Doctor.
The smile is wiped right off Dr. Watkins’ face. Fin and
Munch just stare back at him. No jokes going on now.
14
CONTINUED
CONTINUED
Dr. Watkins pushes a button on his speaker phone.
DR. WATKINS
(into phone)
Marianne?
MARIANNE (O.S.)
Yes, Dr. Watkins?
DR. WATKINS
(into phone)
Could you print out a copy of Sylvia
Daniels’ file for the two detectives?
MARIANNE (O.S.)
Right away, sir.
Dr. Watkins hangs up. Fin and Munch rise.
MUNCH
Thanks, Doc.
CUT TO
INT. MOSS RESIDENCE, FRONT DOOR - DAY
Benson knocks on the front door of the Moss’ penthouse.
Stabler at her side.
BENSON
They’re not going to let us talk to
her. They’ve already been though
enough today.
STABLER
Yeah, but you heard Cabot. If we don’t
get something, that teacher is going to
walk.
After a few seconds, the door opens. Alan stands in the
doorway.
BENSON
Good afternoon, Senator.
ALAN
Detectives. Are you here to tell me
you’ve finally arrested that woman?
STABLER
We’re still working on it, Senator. We
actually came here to talk to--
15
CONTINUED (2)
CONTINUED
ALAN
Parker? I’ll get him right away--
BENSON
Actually we’re here to talk to Harper.
Alan gives Benson a confused look.
ALAN
Harper? My daughter?
Janice approaches Alan from behind.
JANICE
Who is it, Alan?
ALAN
Detectives Benson and Stabler. They
want to speak to Harper.
JANICE
Harper? What for?
BENSON
We just want to see if she knows
anything about the situation. We can
use all the help we can get.
Alan and Janice share a look.
BENSON (cont’d)
Please.
Alice and Janice move out of the way, allowing Benson and
Stabler to enter the apartment.
INT. HARPER’S BEDROOM - CONTINUOUS
Harper lies in bed, reading a book with EVOLUTIONARY
SCIENCE themes.
Benson and Stabler stand in the doorway.
BENSON
Harper? Hi. My name is Olivia Benson.
This is my partner, Elliot Stabler.
We’re police officers. Can we have a
minute of your time?
Harper looks up. Her eyes dart back forth between the two
detectives in front of her with distrust.
16
CONTINUED
CONTINUED
HARPER
Can I see some identification?
Benson and Stabler REACT with surprise at Harper’s request.
STABLER
Smart girl.
Benson and Stabler mechanically produce their badges.
Harper jumps out of bed. Peers closely at both of their
ID's. Looking for any sign of fraud.
HARPER
Alright. What do you want from me?
Benson and Stabler step into the room. Harper closes the
door behind them.
Benson notices a POSTER of Paris on her wall.
BENSON
Paris, huh?
HARPER
Yeah. The City of Love.
BENSON
You hoping to study there?
HARPER
Among other things. Are you going to
ask me something? Or just talk about
my posters?
BENSON
We were hoping you could tell us a
little bit about your teacher, Sylvia
Daniels.
HARPER
What about her?
STABLER
What do you think of her?
HARPER
She’s a good teacher. Way better then
those dolts they have educating us at
Patrick.
17
CONTINUED
CONTINUED
BENSON
What about your brother? What does he
think about her?
Harper shrugs.
HARPER
I don’t now. He doesn’t take school as
seriously as I do. Sylvia has to pay
more attention to him in order to keep
him focused. I don’t have that
problem.
STABLER
So does Sylvia need to have private
sessions with Parker in order to keep
him focused?
Harper smiles. Turns around. She finds this amusing.
HARPER
I’m not an idiot, Detectives. I wasn’t
cultivated in the public school system
cesspool so you don’t have to baby me.
I assure you can ask me straight out if
you want me to tell you if Sylvia
Daniels is having an affair with my
brother.
Stabler and Benson share a look at each other. No getting
past this girl.
BENSON
Are they?
HARPER
No.
Off Benson and Stabler’s reaction.
HARPER (cont’d)
Oh...Did my parents tell you they were?
So immature...
STABLER
What makes you say that?
Harper looks back at the two Detectives.
HARPER
They’re making it up. Daddy’s term is
coming to an end. It’s a reelection
year.
18
CONTINUED (2)
(MORE)
CONTINUED
What better way to get sympathy votes
than to jump on the teacher student
relationship victim bandwagon. They’re
playing you for fools.
BENSON
You don’t need to lie to us, Harper.
Harper steps up to Benson.
HARPER
Why would I lie and let an innocent
teacher be framed for something she
hasn’t done?
Benson and Stabler study Harper’s face. Looking for any
sign of dishonesty. But there is none whatsoever.
HARPER (cont’d)
Anything else, Detectives? If not
there’s the door.
Benson smiles. Pulls out a card from her pocket.
BENSON
This is my number. If you think of
anything else. Don’t hesitate to call.
Harper looks at the business card for a moment. Benson
moves to leave the room. Stabler follows her.
Harper watches them go. Not letting her eyes off of them
for a second.
EXT. MOSS RESIDENCE - DAY
Stabler and Benson exit the building. Head towards their
car.
BENSON
Nice family, huh?
STABLER
Somebody’s lying to us. I just don’t
know who.
BENSON
It’s obviously Harper who’s lying to
us. Don’t tell me you believe her
story about her father making it up as
a publicity stunt?
19
CONTINUED (3)
HARPER (cont'd)
CONTINUED
STABLER
I’ve seen worse. Let’s head back and
see what Munch and Fin found.
Stabler and Benson enter their car.
CUT TO
INT. SVU SQUADROOM - DAY
Benson, Stabler, A.D.A. Cabot, and Munch stand in front of
a board with pictures of the players involved in the case.
Their head shots are all taped to the board with arrows
pointing in every direction.
SYLVIA, PARKER, HARPER, and MR. and MRS. MOSS.
CABOT
What do we have?
MUNCH
None of the faculty members at the
school were any help.
STABLER
But something is definitely off with
these two kids.
BENSON
They’re hiding something. But what?
CABOT
And why.
STABLER
We got to get into Sylvia’s place.
CABOT
Well that is going to require a
warrant. Which needs probable cause.
STABLER
Which we don’t have.
BENSON
Has Fin finished going over Sylvia’s
file?
MUNCH
He should be done any second now.
20
CONTINUED
CONTINUED
BENSON
Alright, well what do we know so far?
Benson stands up and peruses through each of the head
shots. She points at each one after saying their name.
BENSON (cont’d)
Janice Moss comes in telling us that
Sylvia Daniels is having a sexual
relationship with her sixteen year old
son, Parker Moss. However, Parker
denies all claims and tells us that his
mother lied about the allegations.
Stabler stands up as well. Looks at the photos even
closer.
STABLER
Parker’s twin sister, Harper, denies
all claims as well and also says that
her parents are lying, but for the
reason of publicity for Senator Moss’s
reelection campaign run this year.
BENSON
So what’s the connection?
MUNCH
Both kids are saying their parents are
lying about the allegations.
STABLER
Yeah, but Sylvia Daniels has private
sessions with Parker and has had
several complaints from parents
regarding her age being a distraction.
CABOT
So her age automatically makes her a
rapist?
STABLER
Parker requested her personally.
There’s got to be something there.
FIN (O.S.)
We got an M.O.
Fin and Captain Cragen emerge from an office. Fin holding
Sylvia’s file in his hand.
BENSON
Tell me she’s got a record.
21
CONTINUED
CONTINUED
FIN
Not exactly. Her file was squeaky
clean. But there was a period a few
years back that was missing from the
file. Like someone just cut and pasted
it somewhere else. So I checked her
out.
CRAGEN
Five years ago, Sylvia was a T.A. at
NYU after she graduated. There were
two reports of students filing charges
against her for sexual harassment.
Case was dropped after a deal with the
school dismissed it before it could
ever go to trial.
BENSON
Should be enough for probable cause
right?
Cabot mentally weighs the idea.
CABOT
It’ll be close. Let me talk to
Donnelly. She might go for it.
CUT TO
INT. JUDGE DONNELLY’S OFFICE - DAY
Cabot follows JUDGE DONNELLY into her office. Donnelly is
in an obvious rush.
JUDGE DONNELLY
Make it quick, Cabot. I’m due in court
in fifteen minutes.
CABOT
Then I’ll get right to the point. I
need a search warrant for Sylvia
Daniels’ apartment because the people
believe we will find substantial
evidence linking her participation in a
sexual relationship with a minor.
Judge Donnelly studies the warrant in front of her. She
doesn’t like what she sees.
JUDGE DONNELLY
You’re probable cause is a sexual
harassment case from five years ago
that was dismissed?
22
CONTINUED (2)
CONTINUED
CABOT
But Senator Moss and his wife both
claim--
Judge Donnelly hands the warrant back to Cabot. Unsigned.
JUDGE DONNELLY
Sorry Alex. I’m not about to sign a
warrant with weak reasoning like that.
Find me something more concrete and
I’ll sign your warrant.
Judge Donnelly puts on her coat and exits the office.
Leaving a discouraged Cabot behind.
CUT TO
INT./EXT. STABLER’S UNMARKED - NIGHT
Stabler and Benson sit inside the unmarked patrol car just
outside Sylvia Daniels’ Soho apartment on Grand and
Broadway.
The boredom drips from their faces.
STABLER
I think Donnelly’s right. We’re on a
wild goose chase.
BENSON
Yeah well you heard Cragen. Brass has
Senator Moss’ case as high priority.
If we don’t catch Daniels doing
something it’s going to be our asses.
Stabler brings a walkie talkie to his mouth.
STABLER
(into walkie talkie)
Fin. Munch. How’s the weather on the
upper east side?
INT./EXT. FIN’S UNMARKED - NIGHT
Fin and Munch stand posted outside the Moss’ residence on
the upper east side on Madison and 74th.
FIN
(into walkie talkie)
Boring. And Munch’s jokes are putting
me to sleep.
23
CONTINUED
CONTINUED
MUNCH
This is comedy gold I’m throwing at
you.
FIN
I’ll pass.
(into walkie talkie)
We’ll keep you posted, Elliot. Fin,
out.
INT./EXT. STABLER’S UNMARKED - NIGHT
Stabler and Benson sip at their coffees. It’s been a long
night.
Suddenly someone exits the apartment building. Female. In
a hurry.
Benson notices first.
BENSON
Elliot...
Stabler looks in the direction Benson points. It’s Sylvia.
STABLER
Here we go.
(into walkie talkie)
Hey Fin, we got Daniels leaving her
apartment in a hurry. You got anything
on your end?
INT./EXT. FIN’S UNMARKED - NIGHT
Fin scans the area. Nothing out of the ordinary.
FIN
(into walkie talkie)
Negative, Elliot. I got noth--
MUNCH
There.
Someone exits the Moss’ residence. Shrouded in a HOODED
SWEATSHIRT. Concealing their face. Young.
FIN
(into walkie talkie)
Scratch that. I got a teen leaving the
Moss building. We’re following.
The car moves forward. Tailing the walking teen.
24
CONTINUED
INT./EXT. STABLER’S UNMARKED (MOVING) - NIGHT
Stabler’s car follows Sylvia down the street. She moves
towards a SUBWAY STAIRWELL.
STABLER
(into walkie talkie)
Suspect is heading into the subway.
Looks like we’re going for a ride.
EXT. STABLER’S UNMARKED - NIGHT
Stabler parks the car on the side of the road. He and
Benson exit the vehicle. The follow Sylvia down into the
subway station.
INT. SUBWAY PLATFORM - NIGHT
Fin and Munch follow the teen into the same car on the
train. The doors slide close.
INT. TRAIN - NIGHT
Benson and Stabler keep their distance, but never let their
eyes off of Sylvia on the other end of the car. The train
RUMBLES along.
EXT. PREMIER HOTEL - NIGHT
Fin and Munch follow the teen to the entrance of a
luxurious hotel. They stop outside.
FIN
(into walkie talkie)
We got the teen going into a hotel.
What’s your position?
INT. PREMIER HOTEL HALLWAY - NIGHT
Stabler and Benson stand at the end of the hall. Watching
Sylvia enter a hotel room.
STABLER
(into walkie talkie)
We’re already in.
The teen rounds the corner. Identity still shrouded.
Stabler and Benson ready themselves.
The teen knocks on the door. After a few seconds the door
opens. Sylvia greets the teen with a smile. They KISS.
Stabler and Benson POUNCE.
25
CONTINUED
STABLER (cont’d)
NYPD let me see your hands!
Sylvia and the teen turn. Totally in shock.
BENSON
Sylvia Daniels step away from the
child.
Benson grabs Sylvia. Turns her around. Cuffs her.
BENSON (cont’d)
You are under arrest for child
endangerment.
SYLVIA
No wait I can explain!
STABLER
You do know what a restraining order
is, right Miss Daniels?
SYLVIA
You don’t understand!
STABLER
Save it!
Stabler turns to the teen.
STABLER (cont’d)
Parker? It’s alright.
Stabler removes the hood from the teen. His face fills
with shock. Benson’s does as well. It’s not Parker...
It’s Harper.
Fin and Munch enter the hallway. The sight of Harper
confuses them as well.
Harper just looks at Stabler. No emotion in her eyes.
FADE OUT
END OF ACT ONE
26
CONTINUED
ACT TWO
FADE IN
INT. INTERVIEW ROOM - NIGHT
Harper sits in the center of the room. Not an ounce of
remorse or apology on her face. Both of her parents sit on
either side of her. Embarrassed looks on both their faces.
Benson and Stabler stare at them. Not saying a word.
BENSON
Why did you lie to us, Mrs. Moss?
JANICE
I told you that woman was violating my
child.
STABLER
No, you said she was violating your
son.
Alan stands up.
ALAN
Detectives, it’s late. My wife is very
tired. Can we continue this tomorrow?
STABLER
With all due respect, Senator. Sit
down. Filing a false police report is
a criminal offense. So unless this
gets straightened out, I’m going to
have to arrest you and your wife.
ALAN
Who the hell do you think you are? Do
you know who I am son? I’ll have your
badge for that tone!
BENSON
Please gentleman.
(to Janice)
Mrs. Moss. Why did you tell us Sylvia
Daniels was molesting your son?
Janice meets the eyes of her husband. She has to say
something.
27
CONTINUED
BENSON (cont’d)
My partner is right. We will arrest
you for filing a false report. Help us
out.
JANICE
Because. I can’t bear to have the
thought of the public knowing I have a
lesbian daughter. It would ruin us.
Harper SLAPS her mother.
ALAN
Harper!
HARPER
Shut up you ignorant bitch! Why does
everything have to be about you?
Selfish hag!
The room goes quiet. All eyes revert to Harper.
BENSON
Harper. Harper. Talk to us.
HARPER
What exactly is the problem? No crime
has been committed here. I love
Sylvia. She’s the only one that
understands me. And she’s the only one
that is ever there for me.
BENSON
Harper. It is a crime. You’re 16
years old.
HARPER
But you need my testimony in order to
charge her. She did nothing wrong. We
are two women who are in total love
with one another. You would sever our
love like this? How dare you! Are you
as bigoted and intolerant as my stupid
parents too?
Benson and Stabler share a look.
INT. INTERROGATION ROOM - NIGHT
Fin and Munch surround Sylvia and her lawyer Donna.
28
CONTINUED
CONTINUED
FIN
I guess you picked the wrong night for
a private session, huh Miss Daniels?
DONNA EMMETT
Don’t answer that.
MUNCH
Meeting with a 16 year old student at a
hotel? Doesn’t look good. You’re
looking at a rape conviction, Sylvia.
SYLVIA
No!
DONNA EMMETT
Sylvia--
Sylvia stands up.
SYLVIA
No. I am not a rapist. You don’t
understand what me and Harper have.
She’s a beautiful and intelligent
individual. No one gives her any
credit.
FIN
So that makes it okay for you to have
an affair with a minor?
MUNCH
We got text messages from you to Harper
telling her to meet you at the Premier
Hotel for I quote, “passion time”.
You’re in a lot of trouble, Sylvia.
Sylvia’s lip trembles.
SYLVIA
Harper has been alone her whole life.
Her parents are never there. She’s
never in school long enough to make
friends. But we understand each other.
I don’t care if you can’t see that. We
are in love.
Fin and Munch stare her down. She really is serious.
INT. SVU SQUADROOM - NIGHT
Fin and Munch exit the interrogation room with a handcuffed
Sylvia.
29
CONTINUED
CONTINUED
The Moss’ exit with Harper. Harper and Sylvia immediately
make eye contact.
HARPER
Sylvia!
Harper runs towards Sylvia. Benson and Stabler hold her
back.
SYLVIA
Harper. It’ll be alright! I promise.
I love you!
HARPER
I love you too.
Harper fights in the grasp of Benson and Stabler.
HARPER (cont’d)
Get off of me you monsters! Why are
you taking our happiness away?!
Fin drags Sylvia out of the squadroom. Harper bursts into
tears in Benson’s grasp.
CUT TO
INT. SYLVIA DANIELS’ APARTMENT - DAY
Benson and Stabler, along with other FORENSICS OFFICERS,
investigate every inch of Sylvia’s Daniels’ apartment.
It’s clean. Taken care of. Nothing out of the ordinary.
INT. SYLVIA DANIELS’ BEDROOM - CONTINUOUS
Benson moves into Sylvia’s bedroom. Nothing seems out of
place.
Stabler enters the bedroom behind her. A stack of PAGES in
his hands.
STABLER
Got love letters. To and from Sylvia
Daniels.
Stabler reads one of the letters out loud.
STABLER (cont’d)
“My one and only true love, Harper.
They may not accept our love, but we
will be together one day. In this life
or the next.”
30
CONTINUED
CONTINUED
BENSON
She’s got a way with words. I’ll give
her that much.
Benson notices something sneaking out from underneath the
bed. Some type of GARMENT.
BENSON (cont’d)
What’s this?
STABLER
What you got?
Benson slides on a pair of LATEX GLOVES. She reaches down
and pulls out the article of clothing.
Benson holds out it out in front of her.
BENSON
Panties.
STABLER
Maybe they’re Sylvia’s.
Benson flips the underwear for Stabler so he can say the
front. The design of them says it all.
BENSON
Do women in their late 20’s wear
underwear with unicorns on them?
The sight unsettles Stabler. Benson looks back at him. We
got her.
CUT TO
INT. ARRAIGNMENT COURT - DAY
A CLERK pulls a file to read for the court. Sylvia Daniels
along with her attorney Donna Emmett stand at the DEFENDANT
PODIUM. Cabot at the PROSECUTION PODIUM.
CLERK
Docket ending 3328. The People versus
Sylvia Daniels. Multiple counts, Rape
of a Minor in the Third Degree.
JUDGE BILLINGS presides over the court.
JUDGE BILLINGS
How do you plea, Miss Daniels.
31
CONTINUED
CONTINUED
DONNA EMMETT
Not guilty, Your Honor.
JUDGE BILLINGS
Bail?
CABOT
The people request remand, Your Honor.
Miss Daniels would be considered a risk
for future contact with the victim.
DONNA EMMETT
Your Honor, this is an insult to the
United States judicial system and to my
client’s civil liberties. Miss Daniels
is a top notch educator with no
criminal record and strong ties to the
community.
CABOT
Your Honor, Miss Daniels has had
multiple complaints previously charged
against her for sexual misconduct.
DONNA EMMETT
Which were never brought to trial.
CABOT
And may I add, Your Honor, Miss Daniels
willingly contacted and scheduled a
meet up with a minor even after the
family filed a restraining order
against her.
DONNA EMMETT
Which was not for the minor in
question. She tutors the girl for
goodness sake.
JUDGE BILLINGS
That’s enough, Councilor.
Donna and Cabot both shut their mouths.
JUDGE BILLINGS (cont’d)
Now Miss Emmett your client did solicit
a minor from her home even with a
restraining order filed against her,
regardless of the person it was
intended for. However, Miss Cabot,
Miss Daniels would be in no way a
threat to anyone outside of this
courtroom.
32
CONTINUED
(MORE)
CONTINUED
I’m setting bail at $10,000 and that
she refrain from making any contact
with any member of the Moss family.
Next case.
Judge Billings BANGS his gavel. Sealing Sylvia’s fate.
CUT TO
INT. SVU SQUADROOM - DAY
Cabot enters the squadroom. A discouraged look on her
face.
Benson approaches.
BENSON
So?
CABOT
Judge Billings gave her ten grand for
bail. It was paid before she even
stepped out of the courtroom.
BENSON
How’s that possible? On a five year
teacher salary?
Stabler takes a seat at his desk. Hears the remnants of
Benson and Cabot’s conversation.
STABLER
Maybe our victim bailed her out.
Stabler’s phone RINGS. He answers it.
STABLER (cont’d)
(into phone)
Stabler.
Cabot nods her head.
CABOT
Bail was paid by a check from the Moss
family.
BENSON
Harper bailed her out...
STABLER
(into phone)
We’ll be right there.
33
CONTINUED (2)
JUDGE BILLINGS (cont’d)
CONTINUED
Stabler hangs up the phone. Benson notices Stabler’s newly
found enthusiasm.
BENSON
What’s up?
STABLER
That was Warner. She’s got the DNA
results from the underwear we found in
Sylvia’s apartment.
BENSON
Let’s go.
CABOT
I’ll join you.
Benson and Stabler exit the squadroom. Cabot right behind
them.
CUT TO
INT. MEDICAL EXAMINER’S ROOM - DAY
Benson, Stabler and Cabot, pace behind DR. MELINDA WARNER,
the unit’s medical and forensics examiner.
WARNER
I got back the DNA results for your
mystery panties.
BENSON
Tell us you found Sylvia Daniels’ DNA
on them.
WARNER
Since this isn’t your traditional male
on female rape, there was no semen to
go base a DNA sample on.
STABLER
But?
Warner pulls out a file.
WARNER
We found a host of other fluids
embedded in the fabric of the
underwear. Traces of menstrual blood
confirm that the victim Harper Moss did
in fact wear these panties.
34
CONTINUED
CONTINUED
CABOT
What about Daniels?
WARNER
I also found traces of saliva. Very
faint. But enough to collect a DNA
sample.
Warner hands Cabot the file.
WARNER (cont’d)
And it’s a match. It’s Sylvia Daniels’
saliva.
STABLER
This is what we need, right Cabot?
There’s no way we’re getting testimony
from Harper against Sylvia. We need
her to confess for a guilty plea.
Cabot smiles.
CABOT
This should be more than enough for
Daniels to confess for a deal. She’s
looking at 4 to 8 years right now.
WARNER
That’s not all though.
Cabot and the Detectives all look at Warner with confused
looks on their faces.
BENSON
There’s more?
WARNER
There was another sample of Harper’s
DNA in the underwear. Not blood
related.
Warner approaches a screen with DNA samples on it.
WARNER (cont’d)
This is her blood sample. This is the
mystery sample.
STABLER
Harper’s saliva?
WARNER
That’s what I thought. But when I
examined it a little more closely.
35
CONTINUED
(MORE)
CONTINUED
I found it to be vaginal secretions. A
very large amount. Much more than just
typical arousal.
BENSON
Vaginal secretions? You mean--
WARNER
Yeah. Your victim had an orgasm. Most
likely caused by mouth to genital
contact.
Benson and Stabler share a look with one another.
CABOT
I think I’m going to have a little chat
with Sylvia Daniels.
CUT TO
INT. SYLVIA DANIELS’ APARTMENT - DAY
A soft TAPPING raps on the front door of the apartment.
Sylvia answers it.
Cabot greets her.
SYLVIA
My lawyer told me I don’t have to talk
to you without her present.
CABOT
Then don’t talk, just listen.
Sylvia shuts her mouth. Cabot shows Sylvia the file of her
DNA match.
CABOT (cont’d)
The Medical Examiner just found traces
of your DNA inside a pair of Harper
Moss’ underwear. You go to trial, you
are looking at up to 8 years in prison.
Sylvia barely reacts.
CABOT (cont’d)
Now if you come with me back to the
police station, your lawyer can meet
you and then we can discuss a deal. I
strongly suggest you consider this.
Sylvia’s lip trembles. Anger building.
36
CONTINUED (2)
WARNER (cont'd)
CONTINUED
SYLVIA
You will not scare me into thinking
that the love between Harper and I is
wrong. You have no right. So do me a
favor and why don’t you just go to
hell?
Sylvia SLAMS the door shut in Cabot’s face.
CUT TO
INT. COURTROOM - DAY
Court is already in session. Judge Donnelly presides over
the court.
The Moss family sits behind the Prosection’s chair. Harper
among them.
Stabler sits in the witness chair. Cabot paces in front of
him.
CABOT
Detective Stabler, please tell the jury
what happened on the night of September
15th.
STABLER
My partner Detective Olivia Benson and
I, along with Detective Odafin Tutuola
and Sergeant John Munch were observing
Sylvia Daniels to make sure she
complied with the restraining order
enforced against her by the Moss
family. At approximately 10:33 PM,
Miss Daniels exited her apartment
building in a an obvious rush while
also trying to conceal her identity.
After pursuing Miss Daniels into a
subway station, we continued pursuit on
foot, which led us to the Premier Hotel
where Miss Daniels and Harper Moss,
whose identity was unknown to us at
this time, met at a room in the hotel.
After Sylvia Daniels kissed Harper
Daniels, Detective Benson and myself
apprehended the suspect.
CABOT
Nothing further.
Cabot takes a seat. Donna Emmett stands up to question
Stabler.
37
CONTINUED
CONTINUED
DONNA EMMETT
Detective Stabler, who exactly did the
restraining order prevent my client
from making contact with?
STABLER
The Moss’ 16 year old son Parker Moss.
DONNA EMMETT
Parker Moss you say? Yet you arrested
my client for meeting up with Harper
Moss, his sister?
CABOT
Objection! Leading the witness, Your
Honor.
DONNA EMMETT
Withdrawn.
JUDGE DONNELLY
Get to your question, Miss Emmett.
DONNA EMMETT
Detective, Parker Moss lives at 375
Grand Avenue, correct?
STABLER
Yes.
DONNA EMMETT
Then why were you parked outside of
Miss Daniels’ apartment all the way
downtown on Madison Street?
STABLER
Precautionary measures.
DONNA EMMETT
I see. And after following my client
through the subway you still were
nowhere near the Moss residence?
Stabler pauses.
STABLER
No.
DONNA EMMETT
So Detective, if your job was to
protect Parker Moss at his home, why
were you wasting time following Miss
Daniels through Downtown New York?
38
CONTINUED
CONTINUED
Cabot doesn’t say anything. She can’t.
STABLER
We though Harper Daniels was Parker
Daniels.
DONNA EMMETT
Exactly. You thought. And you were
wrong. Just as you thought you saw my
client inappropriately kissing her?
CABOT
Objection.
The Judge ignores Cabot’s request.
STABLER
I know what I saw. Sylvia Daniels
lured Harper Moss to a hotel to have
sex with her.
DONNA EMMETT
She was holding a private tutor session
for one of her students.
STABLER
You can reword it all you want. But I
saw a teacher taking advantage of a 16
year old girl.
DONNA EMMETT
Of course. Because your judgment has
been on the mark this whole time,
Detective. Nothing further.
Stabler shuts up. Donna returns back to her seat.
LATER
Dr. Warner is now on the stand. Cabot interviews her.
WARNER
During my autopsy, there were traces of
saliva, blood, and vaginal fluid all
found embedded in the material of the
underwear.
CABOT
The People’s Exhibit A, Your Honor.
Cabot produces the underwear in an EVIDENCE BAG.
39
CONTINUED (2)
CONTINUED
CABOT (cont’d)
And did all three belong to Harper
Moss, Doctor?
WARNER
No. The saliva found in the underwear
belonged to Sylvia Daniels.
CABOT
Moving back to the vaginal fluid, Dr.
Warner, did you discover anything
noteworthy about it during your
analysis?
WARNER
Yes. The amount of vaginal fluid
contained within the fabric was much
more than what a typical adolescent
female secretes during arousal.
CABOT
Meaning?
WARNER
The amount of fluid present could only
be there due to a female orgasm. And
with the presence of Sylvia Daniels’
saliva, it was most likely initiated by
mouth to genital contact.
CABOT
Thank you, Doctor.
Cabot walks back to her table. Donna stands.
DONNA EMMETT
Dr. Warner, when you first received
this pair of underwear, would you say
the fluid samples were fresh or recent?
WARNER
No.
DONNA EMMETT
Enlighten me, Doctor, could you
possibly say how long it was since they
were deposited?
CABOT
Objection.
40
CONTINUED
CONTINUED
DONNA EMMETT
I’m simply trying to establish Dr.
Warner’s skill to verify her
competency, Your Honor.
Judge Donnelly nods.
JUDGE DONNELLY
Overruled. Answer the question,
Doctor.
WARNER
Although I cannot be exact, I would say
a couple of weeks.
DONNA EMMETT
I see. And tell me Doctor, in regard
to my client’s saliva you say you
found, was that in abundance as well?
WARNER
No. It was quite small. But enough
for a full DNA sample.
DONNA EMMETT
Isn’t it true you also found traces of
fluoride in the underwear as well?
Cabot looks up. Completely surprised.
WARNER
Yes.
DONNA EMMETT
So that’s toothpaste correct?
WARNER
Yes.
CABOT
Objection.
DONNA EMMETT
So would it be safe to say that my
client could have been brushing her
teeth and found one of her students’
undergarments and simply moved them?
WARNER
Objection, Your Honor. Please.
DONNA EMMETT
Nothing further.
41
CONTINUED (2)
CONTINUED
Donna walks back to her seat. Sylvia gives her a thankful
smile.
CUT TO
INT. CABOT’S OFFICE - DAY
Cabot shoves her salad to the side on her desk. Benson,
Stabler, and Warner stand in front of her.
CABOT
How could you not tell me about the
toothpaste?
WARNER
It was in my report.
BENSON
How’s it going in there, Alex?
CABOT
Not good. That jury is believing this
fiasco. Right down to the last drop.
If we don’t get Harper to testify
against Sylvia Daniels, we’re down for
the count.
STABLER
Then we better be convincing.
CUT TO
INT. HARPER’S BEDROOM - DAY
Benson and Stabler stand in front of Harper. She sits on
the bed. A sly grin on her face.
BENSON
You have a subpena by that court that
requires to you testify, Harper.
HARPER
So?
STABLER
If you don’t show up, we’re going to
have to arrest you.
HARPER
Oh, I’ll show up. But I can’t promise
anything after that.
42
CONTINUED (3)
CONTINUED
BENSON
Harper. This woman is not in love with
you. She took advantage of you.
HARPER
You can go now.
BENSON
Harper--
HARPER
Now!
Benson and Stabler get the hint. Leave the room.
CUT TO
INT. COURTROOM - DAY
Harper now sits in the witness chair. Cabot stands in
front of her.
CABOT
Miss Moss. Please tell us what your
connection is to the defendant, Sylvia
Daniels.
Harper remains silent. Cabot rolls her eyes. It isn’t the
first time she has asked her.
JUDGE DONNELLY
Miss Moss, answer the question.
HARPER
No. I will do no such thing.
JUDGE DONNELLY
May I remind you, young lady, you are
in a court of law? If you don’t answer
the question, I will have no choice but
to hold you in contempt and send you to
a jail cell.
Harper holds her hands out. Ready to be cuffed.
HARPER
Anytime, Judge.
Janice and Alan’s faces both fill with disbelief.
43
CONTINUED
CONTINUED
JUDGE DONNELLY
As you wish. Harper Moss I find you in
contempt and you are to be arrested
immediately. Baliff, please escort
Miss Moss to her cell.
The Baliff cuffs Harper and leads her out of the courtroom.
Benson and Stabler just look at each other. No answers in
sight for either one.
FADE OUT
END OF ACT TWO
44
CONTINUED
ACT THREE
FADE IN
INT. JAIL CELL - NIGHT
Harper sits on the bed inside the cell, leaning back up
against the wall is bolted against.
Benson appears outside the cell. A PRISON GUARD opens up
the cell.
PRISON GUARD
You got about five minutes. Seven
tops.
BENSON
Thank you.
Benson enters the cell. The Prison Guard locks it behind
her. Leaves the area.
BENSON (cont’d)
Harper why are you doing this?
HARPER
I’m not going to send the woman I love
to prison because of an outdated
mindset.
BENSON
And what mindset is that?
HARPER
That two women can’t be in love with
one another.
BENSON
Harper, that is not what she is on
trial for.
Harper stands up. Moves to a corner. Not facing Benson.
BENSON (cont’d)
You are one of the smartest girls I
have ever met, Harper. You really are.
But you are not a woman yet. You are
still a minor. And sexual
relationships between adults and minors
is illegal. Regardless of gender or
sexual orientation.
Harper remains staring at the wall. Stays quiet.
45
CONTINUED
BENSON (cont’d)
Look at where you are, Harper. You are
in a jail cell. You don’t belong here.
Harper turns around. Furious.
HARPER
So what do you expect me to do? Tell
everyone that I was violated? I was
raped? I thought lying on the stand is
a crime.
Benson steps closer to Harper. Lowering her tone to soothe
Harper’s anger.
BENSON
I just want you to tell the truth.
Nothing more. Nothing less.
Harper ponders this.
BENSON (cont’d)
If you truly think you are in love.
Then tell the jury that. It’s up to
them to decide. Not you.
The Prison Guard returns. Benson senses him. The prison
cell door opens. Benson exits.
CUT TO
INT. COURTROOM - DAY
Judge Donnelly makes eye contact with A.D.A. Cabot.
JUDGE DONNELLY
Do you have your next witness,
Councilor?
CABOT
We do, Your Honor. The people again
call Harper Moss to the stand.
Harper enters the courtroom. Walking straight ahead. Eyes
focused ahead.
The entire courtroom’s attention focuses on the walking
Harper. She makes her way to the witness stand. Sits
down.
The Baliff steps in front of her.
46
CONTINUED
CONTINUED
BALIFF
Raise your right hand.
She does.
BALIFF (cont’d)
Do you promise to tell the truth, the
whole truth, and nothing but the truth,
so help you God?
HARPER
I do.
Harper sits down. Judge Donnelly turns in her direction.
JUDGE DONNELLY
Are you ready to answer all questions
asked of you, Miss Moss?
HARPER
I am, Your Honor.
Judge Donnelly nods.
JUDGE DONNELLY
Proceed, Miss Cabot.
CABOT
Thank you, Your Honor.
Cabot steps to the stand. Harper can barely keep eye
contact.
CABOT (cont’d)
Miss Moss, please tell the court what
your connection is to the defendant,
Sylvia Daniels.
HARPER
She’s one of my teachers and she’s also
my family’s personal tutor.
CABOT
And have you ever participated in
private tutoring sessions with Miss
Daniels, where you and her were the
only persons in attendance?
HARPER
Yes.
Cabot pauses for a moment. Readies her bombshell question.
47
CONTINUED
CONTINUED
CABOT
Miss Moss, has Sylvia Daniels ever
initiated a sexual act with you?
Harper stalls.
JUDGE DONNELLY
You are under oath, Miss Moss.
Harper holds back tears. Looks at Sylvia. Sylvia smiles
at her.
HARPER
Yes. But she never raped me! I love
her! You hear me?
CABOT
Miss Moss, please calm down.
Harper stands up. Shouting to the jury.
HARPER
You people just don’t get it! We are
in love! Don’t deny us what you have!
Who are you to tell us what is right
and what is wrong?
Judge Donnelly BANGS her gavel.
JUDGE DONNELLY
That’s enough, Miss Moss. You will sit
down now.
Harper finally calms down.
CABOT
Nothing further, Your Honor.
Cabot returns to her seat.
Donna stands up as well.
DONNA EMMETT
The defense rests, Your Honor.
JUDGE DONNELLY
You may step down, Miss Moss.
Tears stream down Harper’s face. She looks over at Sylvia.
HARPER
I’m sorry.
48
CONTINUED (2)
CONTINUED
Sylvia just smiles at her. Tears in her eyes as well.
Harper vacates her seat. Leaves the courtroom. She passes
by her parents. Doesn’t make eye contact with them.
Benson and Stabler sit in the back. Unsettled by Harper’s
comments.
CUT TO
INT. COURTROOM - NEXT DAY
The Baliff hands Judge Donnelly the verdict from the JURY
FOREPERSON.
Judge Donnelly opens the folded piece of paper. Briefly
looks inside.
She hands it back to the Baliff.
JUDGE DONNELLY
Madame Foreperson. Has the jury
reached a verdict?
The Baliff returns the verdict to the female Juror.
JURY FOREPERSON
We have, Your Honor.
JUDGE DONNELLY
Will the Defendant please stand.
Sylvia rises. Donna stands up right next to her.
Alan and Janice Moss wait impatiently behind Cabot. Harper
sits in the seats behind Sylvia.
Judge Donnelly returns her attention to the Jury
Foreperson.
JUDGE DONNELLY (cont’d)
What say you?
JURY FOREPERSON
On the charges of Rape of a Minor in
the Third Degree, we the jury find the
defendant not guilty of all counts.
Sylvia lets out a SIGH of relief.
A big smile curls across Harper’s lips.
49
CONTINUED (3)
CONTINUED
The Moss family can’t believe the verdict. Neither can
Benson and Stabler.
JUDGE DONNELLY
The court thanks the jury for their
services. Miss Daniels you are free to
go. This court is adjourned.
Judge Donnelly bangs her gavel one last time. Retreats
back into her chambers.
Sylvia hugs Donna.
SYLVIA
Thank you.
Stabler just shakes his head.
STABLER
She got away with it.
Stabler leaves the courtroom. Benson follows.
EXT. COURTHOUSE - DAY
Alan and Janice wait outside the courthouse. Disbelief all
over their faces.
Sylvia and Harper exit the courthouse together. All
smiles.
Janice’s face fills with RAGE. She storms up to Harper and
grabs her arm.
JANICE
Get away from her! Now Harper!
HARPER
Let go of me!
Benson and Stabler notice the commotion. They both rush to
the scene.
Without warning, Janice SLAPS Harper across the face.
Hard. It knocks her to the ground.
Alan restrains his wife.
ALAN
Janice! Stop!
STABLER
Is there a problem, here?
50
CONTINUED
CONTINUED
ALAN
We’re fine, Detective.
Sylvia touches Janice’s arm.
SYLVIA
Mrs. Moss--
JANICE
Don’t you dare say anything to me, you
bitch! If I ever catch you near my
daughter again I will kill you!
Sylvia gets the message.
JANICE (cont’d)
Leave! Now!
Sylvia backs away. Descends down the courthouse steps.
BENSON
I’ll make sure she gets home.
Benson heads down after Sylvia. Stabler reaches down to
help Harper to her feet.
Harper PUSHES his arm away. Runs in the opposite
direction.
JANICE
Harper!
Stabler watches her go. But doesn't follow. Janice breaks
into tears. Alan holding her close.
CUT TO
INT. SVU SQUADROOM - NIGHT
Stabler finishes up on some paperwork at his desk. Benson
enters the room. Tired.
BENSON
I thought you were going home?
STABLER
Just finishing up some things. Sylvia
make it home alright?
BENSON
Yeah. No problems.
Cragen exits his office. Approaches the two Detectives.
51
CONTINUED
CONTINUED
CRAGEN
You two still here?
STABLER
Just looking over the Daniels case
again, Captain.
CRAGEN
Well I know we all wish that verdict
didn’t exist but Sylvia Daniels is now
a free woman, and her case is closed.
I want both of you to go home.
Benson’s phone RINGS. She answers it.
BENSON
(into phone)
Detective Benson. Okay calm down.
We’ll be right there. Just stay calm.
Benson hangs up the phone.
STABLER
What is it?
BENSON
That was Janice Moss. She said Sylvia
Daniels just kidnapped her daughter.
Benson and Stabler share a look. They both look at Cragen.
He just nods his head.
Benson and Stabler hurry out of the squadroom.
FADE OUT
END OF ACT THREE
52
CONTINUED
ACT FOUR
FADE IN
INT. MOSS’ RESIDDENCE - NIGHT
Alan escorts Benson and Stabler into the living room of the
penthouse.
ALAN
I found your card on Harper’s desk. I
didn’t know what else to do.
STABLER
You did the right thing, Senator.
ALAN
That psycho took my daughter. Why
aren’t you out looking for her?
STABLER
We need to figure out where Sylvia
Daniels may have taken your daughter
first, Senator.
Janice and Parker sit on a couch. Janice is crying her
eyes out. Holding a picture of Harper close to her chest.
JANICE
She took...my baby...
Benson sits down next to Janice.
BENSON
Mrs. Moss, I now you are going through
a tough time right now, but this is
really important. I need you to tell
me exactly what happened.
Janice SNIFFS.
JANICE
After Harper came home, she locked
herself in her room. She wouldn’t open
it for anyone. So I decided to make
her some dinner. And told her I would
leave it in front of her door. After a
few minutes, I noticed that she wasn’t
answering me. So I tried the knob, and
it opened. And she was gone.
53
CONTINUED
BENSON
Okay. That’s good. But how do you
know it was Sylvia that took her?
JANICE
I looked out her bedroom window. And
saw Harper climbing down the fire
escape. Sylvia’s white SUV was waiting
below. That’s when I called you.
Janice resumes her crying.
BENSON
Parker. You know where Sylvia may have
taken your sister?
Parker shakes his head “no”.
Alan turns to Stabler.
ALAN
Detective. Please find my daughter.
That woman has warped her mind. I
don’t know what she’ll make her do.
STABLER
We’re going to find her, Senator. Can
you think of any places that Harper
likes to hang out. Maybe different
places that Sylvia and Harper had
tutoring sessions.
Alan shakes his head “no”.
ALAN
If Harper wasn’t in school or over that
woman’s house, she was here. Reading.
Studying. Such a smart girl...
Stabler takes out his cell phone. Speed dials a number.
INT. SVU SQUADROOM - NIGHT
The Squadroom is now alive and kicking. Everyone is back
on duty and in all out search mode. Munch mans the
computer station relaying all information coming in from
the city.
Fin answers his phone.
FIN
(into phone)
Go for Fin.
54
CONTINUED
CONTINUED
INTERCUT AS NEEDED
STABLER
(into phone)
Fin. Any luck?
FIN
(into phone)
Not yet. We got an Amber Alert for
Harper out in both New York and Jersey.
STABLER
(into phone)
Alright add an APB to that. Sylvia is
driving a white SUV. Shouldn’t be too
far.
FIN
(into phone)
I’m on it.
(hangs up)
Munch! I got a vehicle!
INT. HARPER’S BEDROOM - NIGHT
Stabler and Benson frantically search the room for any
evidence leading to Harper’s whereabouts.
STABLER
Come on, come on. Don’t these girls
use diaries anymore?
BENSON
There’s got to be something here that
tells us where they’re heading.
Stabler SLAMS a desk drawer shut with anger.
STABLER
How can we look for her if we don’t
know where to start?
Benson looks up at Harper’s walls. Suddenly something
catches her attention...
A poster is missing from the wall.
BENSON
Elliot. Look.
Benson points at the blank spot on the wall.
55
CONTINUED
CONTINUED
STABLER
Where’d it go.
BENSON
What was on it?
Benson and Stabler’s mind race. It hits Benson first.
BENSON (cont’d)
Paris.
Stabler and Benson rush out of the bedroom.
EXT. MOSS RESIDENCE - NIGHT
Stabler and Benson head towards their unmarked. Stabler
barks into his phone.
STABLER
(into phone)
Munch, I need to know all the flights
heading to Paris at all nearby airports
for tonight and tomorrow. Now.
INT. SVU SQUADROOM - NIGHT
Munch punches up some keys on his computer. His eyes scan
the screen at a mile a minute.
Cragen watches over.
MUNCH
(into phone)
Let’s see, we got no international
flight to Paris scheduled for takeoff
tonight at JFK or LaGuardia.
INTERCUT AS NEEDED
STABLER
(into phone)
What about tomorrow?
Cragen points at one of the departures on the screen.
CRAGEN
There.
MUNCH
(into phone)
Wait a minute, we got Flight 2234 out
of JFK departing at 8:15AM tomorrow
morning.
56
CONTINUED
CONTINUED
STABLER
That’s got to be it.
Benson nods.
STABLER (cont’d)
(into phone)
Alright probe all the airport hotels.
See if anything comes up. Credit
Cards, names, address, photo ID,
anything that says Harper or Sylvia is
there.
MUNCH
(into phone)
On it. Give me a sec.
Stabler taps his cheek impatiently with his finger.
Waiting for Munch’s response.
STABLER
(into phone)
Let’s go, Munch. Today.
MUNCH
(into phone)
Got it! I got a hit on a credit card
charge. Alan Moss.
STABLER
(into phone)
Where?
MUNCH
(into phone)
Ratcliffe Hotel. About an hour ago.
STABLER
(into phone)
We’re en route.
Stabler hangs up.
BACK ON STABLER
STABLER (cont’d)
Looks like we’re heading to Queens.
BENSON
Step on it.
Stabler does.
57
CONTINUED
INT. SVU SQUADROOM - NIGHT
Cragen points at the computer screen.
CRAGEN
Munch, send all available units over to
that hotel. I don’t want anyone in or
out until Sylvia Daniels is in custody.
MUNCH
Right away, Captain.
CUT TO
INT. RATCLIFFE HOTEL AT JFK - NIGHT
Stabler and Benson storm into the lobby. The HOTEL CLERK
greets them with surprise.
HOTEL CLERK
Can I help you?
Benson and Stabler flash the badges.
STABLER
NYPD. We need the room number of a
customer who just purchased a room with
a credit card under the name Alan Moss.
HOTEL CLERK
I’m sorry, but we don’t just give away
our customers’ information--
STABLER
Listen, you just let a 16 year old
student and her teacher shack up in
your hotel. Now unless you want that
all over the public news for all your
future non-customers to hear, I suggest
you cooperate.
The Hotel Clerk knows his place. Quickly pulls up some
information on his computer.
HOTEL CLERK
Room 321.
STABLER
Come with us.
Stabler and Benson sprint up the stairs. The Hotel Clerk
follows.
58
INT. RATCLIFFE HOTEL AT JFK, THIRD FLOOR - NIGHT
Benson and Stabler find room 321. They position themselves
on either side of the door.
The Hotel Clerk approaches the door. Nervous.
BENSON
Go ahead.
The Hotel Clerk KNOCKS on the door.
HOTEL CLERK
Miss Moss, there seems to be a problem
with your credit card. Could you
please open up?
No response.
STABLER
Open it.
The Hotel Clerk SLIDES the keycard. The door opens.
INT. ROOM 321 - CONTINUOUS
Stabler and Benson aim their weapons inside.
STABLER
Sylvia Daniels. This is the police.
Benson notices the ADJOINING ROOM door is open.
BENSON
There!
Benson and Stabler sprint into the next room. Back out
into the hall.
INT. RATCLIFFE HOTEL AT JFK, THIRD FLOOR - CONTINUOUS
Where they just see Harper and Sylvia sprinting around the
corner.
BENSON
Sylvia! Stop!
Stabler rushes ahead takes point. As soon as he turns the
corner...
PSSSSHT!
59
CONTINUED
He gets a face full of the innards of a FIRE EXTINGUISHER.
Held by Harper. Harper drops the canister. Flees with
Sylvia into a ROOF ACCESS STAIRWELL.
Stabler falls to the ground. Temporarily blinded.
Benson comes to his aid.
BENSON (cont’d)
Are you alright?
STABLER
I’m fine! Go!
Benson doesn’t think twice. Dashes into the stairwell.
EXT. ROOF - NIGHT
Benson reaches the roof. Gun aimed. Sees Sylvia and
Harper on the edge. Only a step from falling to their
deaths.
BENSON
Harper! Don’t!
Harper and Sylvia turn. They hug each other. Facing
Benson.
HARPER
Why can’t you just leave us alone?!
BENSON
Harper, listen to me.
HARPER
What are you going to shoot us?!
BENSON
No. Look. I’m putting my gun away. I
don’t need this.
Benson slowly puts her gun back into her hip holster.
BENSON (cont’d)
Step away from the edge, Sylvia.
SYLVIA
No! I’m done being told what to do.
WE’RE done being told what to do.
BENSON
You don’t want to do this. Just step
away. Please.
60
CONTINUED
CONTINUED
SYLVIA
If we can’t be together in this life.
Then we will be together in the next!
Stabler stumbles on the roof. His clothes still white from
the extinguisher.
BENSON
Harper. Look at me. Look at me.
Harper does.
BENSON (cont’d)
You have so much to live for. I know
you feel like Sylvia is the one. And
that she is the love of your life. But
you’re still young. You have
everything to look forward to. You are
too bright of a young woman to throw
her life away.
This gets Harper thinking.
BENSON (cont’d)
You will find love again. I promise
you. But you have to step away from
the edge of the roof.
Harper looks up at Sylvia. They’re eyes meet.
SYLVIA
I love you, Harper. But we have to do
this. For us. For our love.
BENSON
Don’t listen to her, Harper.
SYLVIA
Come with me, Harper. We’ll be
together forever. I promise.
Harper’s mind races. What to do. What to do. Her gaze
switches from Sylvia to Benson. Back and forth.
Sylvia turns her back to the edge.
SYLVIA (cont’d)
I trust you.
Sylvia closes her eyes. Harper turns. Tears streaming
down her face. She looks back at Benson. Readies to drop
herself over the edge.
61
CONTINUED
CONTINUED
BENSON
No!
Sylvia FALLS backwards...
Harper stays where she’s at. Benson rushes to her.
Harper finally breaks down. Tears streaming like a
fountain down her face.
Stabler moves to the edge. Peers down at the pavement.
Four stories below.
BELOW
Sylvia’s body lies on the asphalt. Dead.
BACK ON STABLER
Stabler looks back at Benson.
Benson holds on to Harper. Close. Just staring back at
her partner.
FADE TO BLACK
END OF ACT FOUR
62
CONTINUED (2)
