THEATRE RÉSUMÉ – DIRECTING
Production Résumé vs. Business Résumé
As a theatre artist, you will have several résumés — a business résumé to list your long-term job and internship
positions, and at least one production résumé to provide an overview of your relevant show credits. Your business
résumé will follow the same format as the general CLS résumé, using bullet points to describe each experience.
Your production résumés will each highlight one area of your theatre production work, and will use a list format
with columns.
Purpose
You will submit your directing résumé whenever you apply to direct or assistant direct a show. You will also include
it, along with a tailored version of your business résumé, when you apply for directing-related internships,
assistantships, fellowships, or graduate programs.
Length
Your directing résumé should be one page. When your experience goes beyond one page, select the most
impressive, relevant, or recent information to keep. Do maintain a master résumé for yourself, however, that
includes all your credits.
Parts of a Directing Résumé
Header
Your name (in a larger typeface), email address, phone number, and professional website (if you have one that
focuses on your directing). Make sure the email address is one that you check regularly and that your voicemail
message sounds professional.
Directing
Your stage directing credits go here. Ultimately, this will make up the bulk of your résumé; you can include other
sections (suggested below) until you have enough to fill up one page. For each production, specify the name of the
play, the playwright, and the name of the producing theatre company or educational institution. Keep the column
size consistent, even if this means abbreviating a play title or company name. Prioritize the most impressive theatre
companies first, and then the most relevant productions after. For example, if you are applying to direct a musical,
you will want to put the musicals on your résumé near the top. When you start out, it is okay to include academic
productions. But as you build your credits, you will want to first remove high school, then college. Do not include
any dates or years.
Other Directing Sections
While you are building your directing credits, you can flesh out your résumé by including other categories of
experience approximating the format above. Some possibilities include Assistant Directing, Musical Direction (if you
served as the musical director of a production, not if you can direct musical theatre), Choreography, Dramaturgy,
Fight Choreography, Stage Management, Design, and Playwriting. If you include credits within these categories, you
should mention the director’s name. When determining what to list, always customize to the opportunity at hand.
For example, if you are applying to direct a musical, then having served as a musical director or choreographer will
be most relevant. If you are applying to direct a new play, then dramaturgy would be a better choice.
Affiliations
If you are part of any theatre- or arts-related ensembles, include your title, the name of the group, and your
involvement dates.
Education & Training
List your Grinnell degree (including major(s) and concentration(s)), off-campus study if it included theatre,
theatre-related workshops, and theatre-related internships.
Special Skills
List (in categories) any skills that could be useful within a directing context. Examples of things to include: vocal
range, whether you can read sheet music, dialects, languages, International Phonetics Alphabet, musical
instruments, dance, acrobatics, stage combat, types of physical theatre or devised performance methods,
improvisation, other theatre abilities, and specialized areas of knowledge.
YOUR NAME
yname@grinnell.edu • (888) 888-8888
www.yourname.com
D
D
I
I
R
R
E
E
C
C
T
T
I
I
N
N
G
G
Terminating by Tony Kushner Hartford Stage
*A Bright New Boise Samuel D. Hunter Stage Left
The Labeler (workshop) Dana Lynn Formby Stage Left (LeapFest)
Yasmina’s Necklace (reading) Rohina Malik Mortar Theatre Company
Spring Showcase Various Neverland Players
Cabaret John Kander + Fred Ebb Grinnell College
Hir Taylor Mac Grinnell College
La Ruta Isaac Gomez Grinnell College
A
A
S
S
S
S
I
I
S
S
T
T
A
A
N
N
T
T
D
D
I
I
R
R
E
E
C
C
T
T
I
I
N
N
G
G
La Havana Madrid by Sandra Delgado dir. Director Name Hartford Stage
*T.A.B. Susan Pak Director Name Stage Left
*180 Degree Rule M.E.H. Lewis/B. Lhota Director Name Babes with Blades
Big Love Charles Mee Director Name Grinnell College
C
C
H
H
O
O
R
R
E
E
O
O
G
G
R
R
A
A
P
P
H
H
Y
Y
(
(
h
h
i
i
g
g
h
h
l
l
i
i
g
g
h
h
t
t
s
s
)
)
*Manna by Cheri Magid dir. Director Name Mortar Theatre
Dance Nation Clare Barron Director Name Grinnell College
In Flux Your Name Director Name Dance Ensemble/ACTivate
D
D
R
R
A
A
M
M
A
A
T
T
U
U
R
R
G
G
Y
Y
*Blizzard ’67 by John Steinhagen dir. Director Name Hartford Stage
A Winter’s Tale William Shakespeare Director Name Grinnell College
A
A
F
F
F
F
I
I
L
L
I
I
A
A
T
T
I
I
O
O
N
N
S
S
Member, Neverland Players September 2018 – Present
Member, Dance Ensemble/ACTivate August 2017 – May 2018
E
E
D
D
U
U
C
C
A
A
T
T
I
I
O
O
N
N
+
+
T
T
R
R
A
A
I
I
N
N
I
I
N
N
G
G
Bachelor of Art in English, Grinnell College Expected May 2021
Artistic Intern, Hartford Stage May - August 2020
Summer Theater Workshop, SITI Company June – July 2019
S
S
P
P
E
E
C
C
I
I
A
A
L
L
S
S
K
K
I
I
L
L
L
L
S
S
Movement: Dance (modern, ballroom, ballet) • Suzuki Method • Viewpoints • Stage combat
(hand-to-hand, sticks, knives)
Languages: Spanish (fluent) • Arabic (intermediate)
Other Theatre: Ensemble-generated theatre • New play development
*world premiere
1. Include your email address and phone number.
2. Only include your website if it focuses on your directing.
3. List the name of the show, the playwright, and the production
company. On the first credit within a section, include “by” next to
the playwright’s name; it is not necessary on subsequent lines.
4. If you participated in the first full production of a show, then you
can mark it as a world premiere.
5. If you worked on a reading or workshop, specify that in
parentheses after the show name. If the show was part of a
festival, then include the festival name in parentheses after the
company name.
6. If you directed more than one piece within a festival or showcase,
then you can include the showcase name; otherwise, include the
individual piece’s name. If you directed work by more than two
playwrights, then write “Various.”
7. For sections in which you mention both the playwright and the
director, you will want to write “by” next to the playwright’s name
and “dir.” next to the director’s name on the first line. It is not
necessary to include these on the lines that follow.
8. If information won’t fit within a column neatly, then you can
abbreviate.
9. If you choreographed a piece written entirely by you, then use
your name as the playwright.
10. Make sure you use the official spelling of “theatre” vs. “theater”
for each company. Accuracy is more important than consistency.
11. If you have stage combat on your résumé, indicate the type.
1
2
3
4
5
6
7
8
9
10
11
